Part 2 – Still Life

Abramowicz, J. and Mor, G. (2005) Giorgio Morandi: The art of silence. New Haven, CT, United States: Yale University Press.
Bryson, N. (1990) Looking at the Overlooked:Four Essays n Still Life Paining. London: .
Kertész, E. of A. (1905) In Focus: Still life (Getty center exhibitions). Available at: http://www.getty.edu/art/exhibitions/focus_still_life/ (Accessed: 13 July 2016).
Krčma, E. (2014) ‘Tacita dean and still life’, Art History, 37(5), pp. 960–977. doi: 10.1111/1467-8365.12103.
Lloyd, C. (2015) Paul Cezanne – Drawings & Watercolours. London: Thames & Hudson Ltd.
Macfarlane, K. (ed.) (2016) Double Take. London: The Drawing Room.
Photography, T. (no date) Relational aesthetics. Available at: http://www.tate.org.uk/learn/online-resources/glossary/r/relational-aesthetics (Accessed: 15 July 2016).
Saisselin, R.G. (1976) ‘Still-life paintings in a consumer society’, Leonardo, 9(3), pp. 197–203. doi: 10.2307/1573553.
Somers, L. (2016) ‘The implications of the still life in the context of contemporary art’, .
Wolff, R. (2014) ‘A cornucopia of contemporary still life’, .
Woodall, J. (2012) ‘Laying the table: The procedures of still life’, Art History, 35(5), pp. 976–1003. doi: 10.1111/j.1467-8365.2012.00933.x.
(2016) Loose Associations – The Photographers’ Gallery, 2(ii).

Citations, Quotes & Annotations

Bryson, N. (1990) Looking at the Overlooked:Four Essays n Still Life Paining. London: .
(Bryson, 1990)
Kertész, E. of A. (1905) In Focus: Still life (Getty center exhibitions). Available at: http://www.getty.edu/art/exhibitions/focus_still_life/ (Accessed: 13 July 2016).
(Kertész, 1905)
Krčma, E. (2014) ‘Tacita dean and still life’, Art History, 37(5), pp. 960–977. doi: 10.1111/1467-8365.12103.
(Krčma, 2014)
Macfarlane, K. (ed.) (2016) Double Take. London: The Drawing Room.
(Macfarlane, 2016)
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